By Robert F. Reid-Pharr
Calling for a particularly anti-white supremacist reexamination of the records of black subjectivity and resistance, Reid-Pharr enlists the foundations of post-humanist critique in an effort to examine a long time of intimate dialogues among African American and Spanish intellectuals, together with Salaria Kea, Federico Garcia Lorca, Nella Larsen, Langston Hughes, Richard Wright, Chester Himes, Lynn Nottage, and Pablo Picasso. within the strategy Reid-Pharr takes up the “African American Spanish Archive” with a purpose to withstand the anti-corporeal, anti-black, anti-human biases that stand on the middle of Western Humanism.
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